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Nirvana - Singapore style

A cauldron of thoughts and philosoply.

Tuesday, June 24, 2008

We are living in hyperinflationary times

IEA

The US, with no more than 5 per cent of the world’s population, consumes 25 per cent of of the world’s oil. The US uses around 14 times as much oil as China on a per capita basis, and over 28 times as much as India. If per capita oil use in China and India were to increase to the current level in US, their oil demand would rise by a combined 160 million barrels a day- almost twice the present level of world oil consumption of around 87 million barrels a day. At this level, all know proven world reserve of conventional oil will be depleted in 15 ye


posted by OttoKee  # 5:52 PM

Sunday, February 03, 2008

"It’s hard to write a good poem… It’s like this. You have to climb a mountain, find your way through a maze, get to the field that has the tree in it, climb up to the top of the tree and wait for a thunderstorm. Then it’s easy once you’re hit by lightning. You go through a lot of froufrou before you get there." — Robert Pinksy
posted by OttoKee  # 11:33 PM

Monday, December 03, 2007

Richard Feynman musing on beauty
I have a friend who's an artist, and he has sometimes taken a view which I don't agree with very well. He'll hold up a flower and say,'Look how beautiful it is,' and I'll agree. And he says,'You see, I as an artist can see how beautiful this is, but you, as a scientist, take this all apart and it becomes a dull thing.' And I think he's kind of nutty. First of all, the beauty he sees is available to other people and to me, too, I believe, although I might not be quite as refined aesthetically as he is. I can appreciate the beauty of a flower, and at the same time I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside which also have a beauty. It's not just beauty at this dimension, the inner structure.. also the processes. the fact that the colours in the flower are evolved in order to attract insects to pollinate it is interesting - it means that insects can see the colour. It adds a queation - does this aesthetic sense also exist in the lower forms? Or why is it aesthetic? There are all kinds of interesting questions which a science knowledge only adds to the excitement and mystery and awe of a flower.
posted by OttoKee  # 10:31 PM
The Chinese Room Thought Experiment
By John Searle


Imagine that you carry out the steps in a program for answering questions in a language you do not understand. I do not understand Chinese, so I imagine that I am locked in a room with a lot of boxes of Chinese symbols (the database), I get small bunches of Chinese symbols passed to me (questions in Chinese), and I look up in a rule book (the program) what I am supposed to do. I perform certain operations on the symbols in accordance with the rules (that is, I carry out the steps in the program) and give back small bunches of symbols (answers to the questions) to those outside the room. I am the computer implementing a program for answering questions in Chinese, but all the same I do not understand a word of Chinese. And this is the point: if I do not understand Chinese solely on the basis of implementing a computer program for understanding Chinese, then neither does any other digital computer solely on that basis, because no digital computer has anything I do not have.

This is such a simple and decisive argument that I am embarrassed to have to repeat it, but in the years since I first published it there must have been over a hundred published attacks on it, including some in Daniel Dennett's Consciousness Explained....The Chinese Room Argument—as it has come to be called—has a simple three-step structure:

Programs are entirely syntactical.
Minds have a semantics.
Syntax is not the same as, nor by itself sufficient for, semantics.
Therefore programs are not minds. Q.E.D.
posted by OttoKee  # 10:00 PM

Sunday, November 18, 2007

a score is a group or set of 20.
posted by OttoKee  # 2:50 AM

Monday, July 23, 2007

Temasek banking stakes as of 24 July 2007
Bank Danamon 59%
Bank Internasional Indonesia 35%
DBS 28%
StanChart 12%
Hana Financial 10%
ICICI 7.37%
China Construction Bank 6%
E Sun Financial 6%
Bank of China 5%
China Minsheng 3.9%
Barclays 2.9% for S$7.5 billion
posted by OttoKee  # 9:36 PM

Monday, June 04, 2007

Pick a new name
The boxer Cassius Clay changing his name to Muhammad Ali is one of the greatest creative acts of the twntieth century. Cassius Clay was already the heavyweight champion of the world, but converting to Islam, throwing off the shackles of a slave name, and becoming Ali gave him an even larger identity for a much bigger stage. It helped make him the most famous person on earth.

Eric Blair --> George Orwell
Cicily Fairfield --> Rebecca West
Jozef Teodor Konrad Korzeniowski --> Joseph Conrad

On solitude
Subtracting your dependence on some of the things you take for granted increases your independence. It’s liberating, forcing you to rely on your own ability rather than your customary crutches.
There’s an American tradition of giving things up to foster self-reliance. Ralph Waldo Emerson was a man of the world who sought solitude and simplicity. Henry David Thoreau turned his back on the distractions of life in society in pursuit of a better and clearer life, and found a rich vein of inspiration and invention in the Massachusetts woods. Emily Dickinson lived as quiet and constricted a life as one can imagine, and channeled her energies directly into her poetry. All three sought lives apart from the hubbub of the city’s commerce.
posted by OttoKee  # 7:11 PM
Your Creative Quotient
  1. What is the first creative moment you remember?
  2. Was anyone there to witness or appreciate it?
  3. What is the best idea you've ever had?
  4. What made it great in your mind?
  5. What id the dumbest idea?
  6. What made it stupid?
  7. Can you connect the dots that led you to this idea?
  8. What is your creative ambition?
  9. What are the obstacles to this ambition?
  10. What are the vital steps to achieving this ambition?
  11. How do you begin your day?
  12. What are your habits? What patterns do you repeat or subscribe to?
  13. Describe your first successful creative act.
  14. Describe your second successful creative act.
  15. Compare them
  16. What are your attitudes toward: money, power, praise, rivals, work, play?
  17. Which artists do you admire most?
  18. Why are they your role models?
  19. What do you and your role models have in common?
  20. Does anyone in your life regularly inspire you?
  21. Who is your muse?
  22. Define muse
  23. When confronted with superior intelligence or talent, how do you respond?
  24. When faced with stupidity, hostility, intransigence, laziness, or indifference in others, how do you respond?
  25. When faced with impending success or the threat of failure, how to you respond?
  26. When you work, do you love the process or the result?
  27. At what moments do you feel you reach exceeds your grasp?
  28. What is your ideal creative activity?
  29. What is your greatest fear?
  30. What is the likelihood of either of the answers to the previous two questions happening?
  31. Which is your answers would you most like to change?
  32. What is your idea of mastery?
  33. What is your greatest dream?


posted by OttoKee  # 7:03 PM

Thursday, May 24, 2007

Poppy seeds trivia


posted by OttoKee  # 7:32 PM

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